UNDERGRADUATE RESEARCH BLOGS
The Office of Undergraduate Research sponsors a number of grant programs, including the Circumnavigator Club Foundationâs Around-the-World Study Grant and the Undergraduate Research Grant. Some of the students on these grants end up traveling and having a variety of amazing experiences. We wanted to give some of them the opportunity to share these experiences with the broader public. It is our hope that this opportunity to blog will deepen the experiences for these students by giving them a forum for reflection; we also hope these blogs can help open the eyes of others to those reflections/experiences as well. Through these blogs, perhaps we all can enjoy the ride as much as they will.
EXPLORE THE BLOGS
- Linguistic Sketchbook
- Birth Control Bans to Contraceptive Care
- A Global Song: Chris LaMountainâs Circumnavigatorâs Blog
- Alex Robinsâ 2006 Circumnavigatorâs Blog
- American Sexual Assault in a Global Context
- Beyond Pro-GMO and Anti-GMO
- Chris Ahernâs 2007 Circumnavigatorâs Blog
- Digital Citizen
- From Local Farms to Urban Tables
- Harris Sockelâs Circumnavigatorâs Blog 2008
- Kimani Isaac: Adventures Abroad and At Home
- Sarah Rose Graberâs 2004 Circumnavigatorâs Blog
- The El Sistema Expedition
- The World is a Book: A Page in Rwand
Co-op Living!
We have been living in a co-op in Silicon Valley for roughly a week. In fact, a number of homes and vacant spaces in the Bay Area are beginning to be occupied by large groups of people, creating a new type of âcommuneâ in the Digital Age. The Rainbow Mansion, where we currently live, is a collective of 11 young professionals from a wide range of careers. Brought together by a shared passion of entrepreneurship and innovation, these people have a common mission to bring extraordinary people under one roof to live, work, and change the world together. The contemporary collectives in the Bay Area are passionate about the belief that cohousing offers a socially responsible, environmentally friendly, creatively stimulating, and personally meaningful alternative lifestyle. They share groceries and household responsibilities, host events for the surrounding community, and embrace a lifestyle with little distinction between work and play.
The Rainbow Mansion was founded by Jessy Kate Schingler, a young engineer working at NASAâs Ames Research Center. It has now housed over 60 people from 12 countries. Inspired entrepreneurialism is a central facet: residents are carefully chosen for their ideas and ambitions, and they are often working on individual projects. The house regularly hosts events for the community in order to facilitate open political discussions and create a space for people to present projects and research for feedback. Current residents include Mike Grace and Diana Gentry, who are to be married in late August. Both Grace and Gentry work in NASA’s Ames Research Center. Molly Newborn, originally from Montreal, is an independent biotech investment consultant. Rainbow is also home to Google programmer Loredana Afanasiev, who is originally from a village in Moldova. Resident and entrepreneur Daniel Faber recently moved his company, Deep Space Technologies, which mines astroids, from the mansion’s garage to NASA’s research center. Principle engineer Shevek and entrepreneur Chris McCann also inhabit the large home. The last permanent resident is Andrea Malave, who currently works in childcare management at Stanford University. The house also has a guest room that can host up to 5 additional residents including Glen Tona, an Albanian software engineer working for IBM, and Johannes, a software engineer from Germany. We have been staying in the guest room with Glen and Johannes, and another woman is arriving on the 20th!
Last night we had a large “family dinner” (these dinners occur every Sunday), in which several guests, including past residents and potential future residents, all came over to enjoy a meal and after dinner hike with us. Several students who intern for Mike at NASA also came over. It’s hard to imagine that one family could live in a house that so comfortably fits so many people!
New Stories, Old Stories, as long as they are good stories
I just went to see Skitterbang Island at Polka Theatre! Similar to The Tiger Who Came to Tea in maybe one way- three actors, one male and two female in each. Other than that, a completely different atmosphere, story, and feeling.
While The Tiger Who Came to Tea constantly addressed the audience, they came in from the side of the theatre and waved hello to us before the show began, Skitterbang Island went into full swing immediately, telling the story of a girl and her uncle whose ship gets wrecked, and in the process of trying to find each other, Marie, the little girl, meets Skitterbang, a nice monster.
Skitterbangs intimate black box allowed children to see cross-legged on the floor, while The Tiger Who Came to Tea was in the theatre where Thriller Live also plays- so each child got their own ‘theatre seat’.
However, even with these large differences, both audiences highly enjoyed each performance (as did I). The puppets in Skitterbang were amazingly well crafted, and have only furthered my love for puppets and wish to master them (Maybe next summer’s adventure? Quite possibly!)
Skitterbang Island also is a new story to add to the cannon of TYA, something that David has done in the past, but also loves writing adaptations!
If you would like to really get into my research shoes, definitely check out this article by David! It discusses the difference between different types of childrens theater (ex. family theatre vs. theatre directed for a certain age group specifically) and quality vs. quantity of children’s theatre!
http://www.theguardian.com/stage/2014/jul/03/david-wood-the-tiger-who-came-to-tea-west-end
Explorations in Peru
My next research site is in Cusco. Cusco is an easy hour long flight east of Lima, but I decided to try something a little more adventurous. I signed up for a four day long bus ride from Lima to Cusco that included many stops on the way. I thought it would be a good way to see more of the country, and that turned out to be true!
From the beaches outside Lima to the coastline of Paracas, from the sand dunes of Huacachina to the vineyards of Pisco, the journey is best described through pictures! It was a fun four days of experiencing what the vast lands of Peru have to offer, but I am glad to finally be off the bus onto solid ground for the next week! Iâll be working in a town called Ollantaytambo with an organization called Sacred Valley Health. More to come!
Enjoying the vast sand dunes in Huacachina, Peru.
Jumping for joy in Huacachina, Peru.
Celebrating the fourth of July with a beautiful desert sunset. Who needs fireworks when the sky is on fire??
Symbols of Sikhi
I confess that I am not the first person to approach the topic of Punjabi YouTubers. The Globe and Mail published a story on JusReign, Superwoman, and AKakaAMAZING more than two years ago, asking them why comedy and why the Punjabi community in GTA is so open to it. The word “Sikh” is not mentioned once in the article.
Sikhism is a religion abundant with iconography. Every gurdwara has the three images of Guru Nanak Dev Ji, Guru Gobind Singh Ji, and the Harminder Sahib (Golden Temple) in Amritsar. The Khanda is everywhere: on turbans, on doors, on shirts, on boxing gloves, on hood ornaments of boxing gloves. Our three well-publicized YouTube figures have rich imagery in their videos as well.

What is VAISAKHI?: https://www.youtube.com/watch?v=KHvZeo057jc
BEATS ep1: https://www.youtube.com/watch?v=Vh8yjeNDxPk
JusReign and AKakaAMAZING are fairly overt with their use of Sikh imagery. JusReign, since he sports a turban and beard, is visually identifiable as a Sikh, while AK doesn’t keep his hair and beard but posts commentary and parody of political events in Punjab, and fills his videos with images of strong, armed Sikhs fighting for the faith. For JusReign, this is a matter of cultural awareness; his main aim is to debunk the hostility directed towards the figure in beard and turban through comedy. This means speaking as a representative, intentional or not, of Sikhism from a thriving diasporic community.
One of JusReign’s more ridiculous Sikh culture spoofs from his Punjabi Christmas Album video. In this video, he sings of Christmas: remember baba Santa Claus, remember his sacrifice — all in the style of Sikh kirtan, or holy music. At one moment, he shows an image with caption “Dhan dhan baba Santa Claus” (blessed old man Santa Claus), which pokes fun at honorific, albeit cheesy images of Sikh Gurus. In interviews, JusReign explains that his main motive behind parodying brown culture is to raise awareness of it. Discrimination is a huge concern for North American Sikhs post-9/11, and Sikhs have frequently been attacked, called “Osama” or “terrorist” just because the image of the beard and turban is conflated with that of the extremist Muslim terrorist. Through comedy, JusReign hopes to breed compassion.

The PUNJABI Christmas Album: https://www.youtube.com/watch?v=tFD19G-oxQk
Dhan Dhan Sri Guru Gobind Singh Ji: http://www.desicomments.com/dc1/06/118303/118303.jpg
AK’s output concerns political Sikhism for Sikhs rather than cultural awareness for outsiders. He confronts pressing issues in both Brampton and Punjab: murders in Brampton, and political corruption, water shortages, and drug use in Punjab. His videos carry a nationalistic undercurrent supporting Punjabi sovereignty and the creation of an independent Sikh nation, Khalistan (if you want to know about Khalistan, read The Nation’s Tortured Body by Brian Keith Axel. Opening a discussion on Khalistan would require a separate blog entirely). Some videos show fake newscasts in which Brampton and Punjab are combined to be one ethnic and political body, even though the two are geographically separated. In reporting the news of either region side-by-side, AK creates a sense that the events in Punjab directly impact the Brampton community, which, ultimately, they do. AK, in this way, is a product of the Brampton Punjabi community, which is vicariously tied back to its homeland. Dixie Gurdwara openly supports Khalistan, and the diasporic yearning for its own nation is the most visible in Brampton when compared to other North American Sikh communities I’ve encountered.
The single greatest trauma in contemporary Sikhism is 1984, when the Indian Army, under the order of Prime Minister Indira Gandhi, stormed the Golden Temple in Amritsar to capture the Khalistani militant separatist Jarnail Singh Bhindranwale. This campaign, Operation Blue Star, was launched on the anniversary of the martyrdom of the 5th Sikh Guru, Guru Arjan Dev Ji, founder of the Golden Temple. The army launched a full scale attack on the holiest site in Sikhism, killing hundreds within the compound. In retaliation later that year, Indira Gandhi’s Sikh bodyguards assassinated her, triggering riots that resulted in the deaths of thousands of Sikhs. Artists like AK and hip-hop Can-Sikh Humble the Poet have put out several videos and songs commemorating the victims of 1984. AK in 2010 put out a video called “When Lions Roar II” in which he, his sister, and Brampton’s east district MPP (member of provincial parliament) Jagmeet Singh of the NDP (New Democrat Party, a social democrat party) read firsthand accounts of 1984. Charity funds in support of victims of 1984 are present in several gurdwaras in Brampton, and pictures of shahids, or martyrs, holding automatic firearms hang in the langar hall of Dixie Gurdwara. The memory of this event is a burden on the Sikh collective conscience, an acknowledgment that a faith whose primal creed contains the words “without fear” and “without hate” has had to confront racism and marginalization in its spiritual homeland. Guru Gobind Singh’s dying words, known in scripture as the Guru Maneyo Granth, includes the line “raj karega Khalsa” — the Khalsa shall create a nation. This is a belief held by many in Brampton, and Sikhism places heavy emphasis and honor on its shahids, many of whom died for Khalistan.

IST News – Brampton Violence & Electioin Fraud in Punjab: https://www.youtube.com/watch?v=q_WwGjaceZA
Lastly, I take a look at Sikh imagery in Superwoman’s channel. Superwoman focuses more on developing a general audience, posting videos like “Types of Teachers in School” and “Types of Farts” while still honoring her brown roots by making “My Parents React to…” videos, where she dresses up as Indian parents and pokes fun at her social media output. It’s safe to say that Superwoman’s channel is the least consciously Sikh; though she is a product of the community, she concerns herself much less with the politics of Sikh representation that JusReign and AK focus on so much.
- 50 Random Things About Me: https://www.youtube.com/watch?v=nrXdEoUl2Q8
#LEH: https://www.youtube.com/watch?v=S–NqtZH06o
Lilly Singh aka Superwoman is undoubtedly Sikh; beyond the name “Singh,” her wrists are tattooed with àššàšżàš°àšàš (nirbhau, without fear) and àššàšżàš°àš”à©àš°à© (nirvair, without hate) — text from the mool mantar, or primal creed of Sikhism. She also collaborates extensively with Humble the Poet, and the two released their music video for the song “#LEH” earlier this month, which criticizes the self-centeredness of social media in relation to consumerism of status symbols (on a side note, I attended Humble’s birthday party a few nights ago and briefly met every single YouTuber I still want to connect with. Small world). Humble is seen wearing a Sikh pride shirt: See a Singh, salute a Singh. All Sikhs have the middle name Singh (for males, lion) or Kaur (for females, princess), and devout Khalsa Sikhs (known as amritdharis) let go of their family name and take up Singh or Kaur as their proper last name. Clearly, Superwoman is proud to be a Sikh, whether or not she focuses on that aspect of her life in her channel.
These three YouTubers cannot avoid (and clearly choose not to avoid) their Punjab-Sikh identity, though the degrees to which they choose to represent it on screen varies from person to person, and even these images range from displaying Sikhism as a benevolent religion to a noble order of warriors to a victimized minority group whose home is under attack. In the coming weeks, my plan is to interview each one on this matter to see where they politically and personally situate their channels within the community of Ontario Sikhs and global Sikhs.
Weeks 3 and 4: Results!
My experiment is producing results! I’m not sure how much I’m allowed to say, so that’s all I’m going to say about the results. They exist. They’re there. We have done the study with some toddlers, and there are results now. Sorry if you were expecting something more conclusive. đ Here’s a fun video of a baby and a persistent puppy to make up for it!
In other news, I took the GRE today! I switched my work schedule around so that I could take the entire day off to take it. Now that I’m finished, I couldn’t imagine going to work afterwards. That test was exhausting! My mental energy for the day is done! Thankfully, I’m pleased with my score and I’m not going to take the test again. I just unsubscribed from the GRE Question of the Day email, and it felt so good!
If you’re planning to take the GRE, I recommend this book. Be sure you use the online resources that go along with the book, too! I also downloaded the free GRE software, PowerPrep II, and took the practice tests provided there. The software is free and made by the GRE people, so you should take advantage of it!
When I returned home after the test, some lab friends were gracious enough to post a status for me on Facebook.
Note to self: always remember to log out of all accounts on the lab computers! Â But seriously, everyone in my lab has been so helpful and supportive of me and my project. I’m 100% sure that I could NOT have done it without them!
If you’re interested in baby research, here’s a link to a news article about a recent study… it turns out that dancing with a baby makes the baby more helpful! I heard about it on the radio, and I had to see for myself. Why didn’t I think of this study idea?! When the experimented bounced the 14-month-old baby in sync with music, the baby was more likely to pick up an object that the experimenter dropped. And yes, the article includes a video of the experiment. So the next time you need a baby to help you out, put on some music and dance first. #lifehacks
This week, I’ll be running the experiment with more participants, and then analyzing the resulting data. I’m also going to a luncheon with other URG recipients sponsored by the Office of Undergraduate Research!
Tea at Browns
Today I went to tea at Browns both to read some good TYA plays (by David Wood, whom I had lunch with on Wednesday!) and was treated ever so sweetly there. It is like they knew I was in a foreign country alone… actually they most likely figured that. I was alone having tea with a foreign accent, but no matter they were so sweet. The typical 90 minute stay at a tea room ended up being 4 hours long, with four pots of tea, and two full tea sandwich, pastry and scones tray. Fabrizio, my french waiter (ironic right?) kept on bringing out the food like they were getting ready to cook me for tomorrow’s tea. If you are ever in London and willing to splurge on something divine, go to Browns, not only is it amazing, but it will make a wonderful memory. (Elegant tea in London! A must!)
Creative, or gross!
A rain of excitement
Brampton, Brampton (ain’t no city quite like mine)
I’ve been spending a considerable amount of my time here in East Brampton, which, according to my friend Parminder, is 80% Punjabi-Sikh. This means custom front doors with Khandas and babas with long white beards and turbans, strolling on the sidewalks, chatting on the park bench, playing cards in tense silence.

Door with Khanda, a central image of Sikhism. The blades on either side represent the fight in defense of the faith, while the double-edged sword and ring in the center represent sacrifice and the timelessness of the Divine.
These are familiar sights.
A large contingent of my mom’s family lives in Northern California in Yuba City and Live Oak. I am half Punjabi and am bilingual by upbringing, and somehow I have retained my Punjabi over the years, enough to impress everyone I meet. “Punjabi boldaa thusee? Ohh, o gora lagtaa but puri Punjabi boldeeaa.” You speak Punjabi? Oh, he looks white but speaks full Punjabi. Or with younger Punjabis: “Bro, I’m hella tripping out. How does this dude speak such good Punjabi?” Babas and bibis have told me that I speak better Punjabi than their grandchildren, both anxious that their native tongue may die out in a matter of generations and relieved that this ahda (half) Punjabi knows their language so well.
Extended Sikh families tend to settle in one community, my own family being no exception. This means having the daunting task of memorizing which uncles and aunties get addressed which way, and how that tells your relation to them — massir and massi for your mom’s or grandmother’s brother-in-law and sister, mama and mami for your mom’s brother and sister-in-law, kaka, chachi, bhabhi, bhua, and so on. A kid’s parents, all their brothers and sisters will live in the same region. And then if you’re not related to someone, they’re pa-ji or auntie-ji or uncle-ji or mata-ji, and you treat them like family. When you visit them, you ring their doorbell, then they invite you in, and you sit on the sofa in the living room without the TV if they have a separate living room. Shoes always come off at the entrance (anyone who I invited to my apartment, shoes always come off at the entrance). You’ll meet with the man of the house or his son, then the mother will offer you chai and a snack. “Nay, nay, mai khaake aaya, mai kosh nay chaahidaa. Bas bas bas bas bas ji, bas.” No, I ate before coming here; I don’t need anything. Saying that only works about 25% of the time. The longer you stay at someone’s house, the more likely you are to have soda or juice or chai pushed on you. “Sirf do hor minute le baithe raaho!” Just sit for a couple more minutes! Children peer sheepishly in from another room, and the bolder ones, generally toddlers, will dance and shout right in the middle of your conversation. Rehende. Leave it. Let them make noise.
The same policy applies if you have visitors. Offer them something. They took the time to come to your house, so it’s your duty to make them feel welcome. And they’ll say no the first time, and you’ll give them something anyway. Such is the Punjabi way. There you’ll all be sitting, chai or sugary juice or soda in hand, several awkward pauses where you can tell that one of the uncle-jis is peering into your soul. Deep into your soul. Then gossip. If someone came late to so-and-so’s house, it’s because they had a meeting that started late, even though the meeting finished several hours ago and has no relevance to this visit. It’s just plain rude to say you were late for any reason that doesn’t sound legitimate.
Parents, children, grandparents. Entire generations, multiple generations of Punjabi families may live in one community. Families immigrate to their new Punjabi communities en masse, never forgetting their pind (village) or district. And maybe their pind isn’t directly Punjab; maybe they’re from the UK or Kenya or Australia or the US first, but it’s ultimately somewhere-via-Punjab. Such is the connection of the Sikh diaspora to its ancestral homeland.
Brampton is just like the other Punjabi communities I’ve been around, just considerably larger and more developed. There are several gurdwaras housed in large complexes and on the top floors of people’s houses, each founded on a mix of devotion to God and political disagreement. Punjabi culture and Sikhism have been integrated into the community’s education system through gurdwaras and Montessori schools, bhangra clubs, kabaddi clubs. And within this Punjab-in-Canada there is a thriving popular culture of up-and-coming politicians, DJ’s, hip-hop artists, YouTube celebrities, movie stars. And they all know each other, whether or not they support each other.
i thank You InterLibrary Loan for most this amazing score
Hi! Itâs been a while, I know. Iâve been finishing up that entire three-volume set of âAmerican Art Song and American Poetryâ while I waited for some of my most important scores to arrive from Canada, Iowa, and who knows where else. Luckily, two of the four song cycles that Iâm planning to examine have now arrived (thanks, InterLibrary Loan!), which means that I finally get to do hands-on work with the music itself! Iâve been so excited to get started, and though itâs difficult, itâs challenging me to think about music in new ways, and Iâm having way more fun than youâd think is allowed for a research grant.
Iâm starting off my research with Ricky Ian Gordonâs set of five songs for high voice, âand flowers pick themselves.â Iâm working with the piano-vocal score, but in actuality, it has also been orchestrated and those parts are only available by rental. I have yet to decide if I should take into consideration those orchestral parts- on the one hand, an art song is traditionally just voice and piano, but on the other hand, two of the four sets of songs have been orchestrated, and it might provide some new ways to learn what colors and effects the composer was searching for in his or her writing. We shall see! It may also come down to the fact that, if I canât track down a place to borrow the parts for free, I unfortunately do not have the budget to rent an entire orchestraâs worth of part books⊠nor do I have an orchestra, for that matter.
âand flowers pick themselvesâ is a set, according to the composer, about loneliness. In his program notes for the only recorded version of these songs, he writes that he selected the texts in order to create a journey in which the audience experiences community and loneliness, centering around cummingsâs famous âanyone lived in a pretty how town.â The set contains, in order, these five texts: âi thank You God for most this amazing,â âwhy did you go,â âThy fingers make early flowers of,â âanyone lived in a pretty how town,â and finally âwho knows if the moonâs a balloon.â This final song is the only one Iâve ever sung, and it was one of the songs which grabbed my attention and eventually led me to propose this project. It remains one of my favorite American art songs to date. However, working with this music is slow going, and Iâve only done a descriptive analysis of the first two songs so far and am now beginning the third.
Hereâs an example of what just a few measures of my scores look like (Iâd put more, but I donât want to upset anyone re: copyright) as I go through and annotate for things like tonal center, form, text setting devices, stressed/unstressed syllables in the text, color, etc:
Iâve also been recording some of my friends who are involved in public speaking (thanks, Tour Guides!) and theatre (thanks, cast of Pirates of Penzance!) reading these poems aloud and comparing them with the rhythmic and melodic contours of the texts in the songs. This has led to finding and notating some consistencies and some interesting changes between the two. I also have found some old recordings of cummings himself reciting some of the poetry, including âi thank You God for most this,â which has been amazing to listen to as well as to compare to the text settings in the songs.
In general, my big struggle thus far has been in tracking tonal areas in the music. While Iâm good at searching for the relationships directly between melody, rhythm, and text, itâs a cool challenge for me to navigate the harmonic language of this kind of music, and Iâm learning a lot from it. Ricky Ian Gordon is famous for believing that emotion is more use in writing music than just sticking to the rules of music theory, and this combined with the contemporary music scene leads to a lot of inexplicable sonorities. Iâve quickly realized that Roman Numeral analysis wonât help me with this composer, and have settled for using motifs and important notes to derive the key center. Some pieces will be more easily traced than others: for example, âwhy did you goâ is a passacaglia, and while the harmonic language eventually is clouded with altered tones, because of the repeated melodic material and bass line, it is possible to see Gordonâs progression from G to Ab in terms of key area and then watch as he distorts it and alters the tonalities and melodic lines as the piece goes on and the narratorâs loneliness and worry increase. His piano postlude, reminiscent of German lied in style, carries the emotion beyond the text for another minute of music. I think that being flexible and realizing that this contemporary music cannot all fit into one model of analysis is key in working on this research project, and in the past few days Iâve started to figure out where to look in each score for the information I need!
Have a great day!
Véronique